Gruden and his … Jon Gruden and Mike Mayock concluded their media obligations at the NFL Scouting Combine and can spend the rest of the weekend poring over medical records, conducting player interviews and watching workouts and drills.Here are five things we learned Wednesday and Thursday from the media sessions from the Raiders head coach and general manager, as well as side sessions with local reporters afterward:1) The combine will be helpful, but not as much as the Senior Bowl
13 July 2011 The International Marketing Council of SA (IMC) has added its voice to the Mandela Day drive for civic participation with the launch of Play Your Part, a campaign designed to get all South Africans doing something, whether big or small, to contribute to a better future for all. Speaking at the launch of the initiative at the Nelson Mandela Foundation in Johannesburg on Wednesday, IMC CEO Miller Matola said: “A nation of people who care deeply for one another and the environment in which they live and who take action by doing something positive, whether big or small, is good for everyone.” Play Your Part encourages ordinary citizens to use whatever resources they have at their disposal – whether time, money, skills or goods – to contribute to positive change in the country. “There are numerous stories and real life experiences ready to be told of people and organisations that are making a positive difference – these stories should be told to lift our spirits and inspire everyone to play their part,” Matola said at the press briefing. Matola said the campaign complements the Mandela Day campaign which is celebrated on Nelson Mandela’s birthday on 18 July, asking people to take 67 minutes of their lives to try and make the world a better place – while urging them “make every day a Mandela Day”. To join the movement, people can visit www.playyourpart.co.za, which connects to forgood, a home-grown social network that brings people and groups together for positive change. The forgood social network enables individuals and groups to create their own profiles, interact with others, garner support for their own causes and join in with others, depending on where they live and the things they’re passionate about. “The ethos and legacy of Nelson Mandela is important for the country, and not for a single organisation, because it carries the values of what this great nation should be about and … sets an example of what we should do,” Matola told journalists. “Therefore it is important that we all contribute towards making a difference in the country.”
The history of sound design involves innovations from some of the biggest names in Hollywood. At the 2019 Tribeca Film festival, we heard their stories.Last week at the 2019 Tribeca Film Festival, Making Waves: The Art Of Cinematic Sound premiered after nine years in production. Director Midge Costin takes audiences on a journey from the era of silent films to today’s blockbusters, with a painstaking ear to shifts in sound design trends and the influence of developments in technology. Making Waves feels like a 90-minute deluxe Hollywood backlot tour led by the scientists of cinema. It begins with the notion that sound is the first sense humans develop in the womb and ends with an encyclopedic guide to each function of the sound design department. Making Waves was a showpiece of this year’s festival, and it’s sure to become a classroom staple.At pivotal points in cinema history, sound design pioneers Walter Murch (Apocalypse Now), Ben Burtt (Star Wars), and Gary Rydstrom (Jurassic Park) were artists with the passion and skills to move the medium forward, working against a studio system that did not value sound as a cornerstone worth funding or time. They and their contemporaries had to prove sound design’s worth by creating visceral experiences that could persuade even the most resistant gatekeepers. A handful of tricks disclosed in Making Waves changed the game forever.The Fantasy Creature QuestionMurray Spivack headed up the sound department at RKO Radio Pictures when the monster King Kong came across his desk. How could he create a roar that was believably animalistic yet somehow otherworldly, befitting the gigantic gorilla? Spivack ventured to Selig Zoo to make field recordings of a lion and a tiger. He used reverse playback and altered speeds, overlapping the sounds to make an ambiguous and terrifying sonic identity for the icon. King Kong (1933) was the first time sound effects were recorded specifically for a film in this way.Spivack’s mark is everywhere. Ben Burtt was charged with giving wookiees a sonic identity for Star Wars (1977) and took a similar route with field recordings. He made a map of Los Angeles documenting where he recorded source material for the sound in the film, including wookiee language: a combination of walrus, lion, rabbit, tiger, and badger.Jurassic Park needed this kind of magic, too. Gary Rydstrom employed animal noises he spent months recording to fashion the roars of the dinosaurs, which had to do justice to the sounds audiences were anticipating. Tortoises mating, horses breathing, geese screaming, a baby elephant’s sounds slowed-down — all these were original sources in the film’s sound design. There’s a thorough rundown of each Jurassic Park dinosaur species’ source sounds here.Stubborn Barbra StreisandBarbra Streisand in Funny Girl (Columbia).The advent of modern sound design may not have been possible without Barbra Streisand. Making Waves includes her account of a pivotal moment on the set of Funny Girl (1968), when the singer insisted she track an onstage vocal live rather than submit to a dubbed performance. Dubbing was the norm at the time, and Streisand was past that. Her understanding of sound as a masterful recording artist — and her influence as a superstar — made her the ideal figure to push sound design forward on set. But she also helped change how movies were played in theaters with the 1976 remake of A Star is Born. Before that film, moviegoers heard the sound from a single speaker behind the screen. Streisand knew about a new surround sound system designed by Dolby that was ripe for use in theaters. It was urgent, she thought, to unleash that technology on the cinema world. So she offered $1 million of her own money to prove what could happen if enough time and care went into the sound design before a revolutionary presentation of the film in surround sound. Warner Bros. was so thrilled with the soundwork effort that they ended up paying for it instead.American ZoetropeThe founding of American Zoetrope by Francis Ford Coppola and George Lucas in 1969 cemented a formative alliance between the two directors and their close collaborators. Ultimately, American Zoetrope would produce films that established how important sound design was in the alchemy of a movie. THX 1138 and Apocalypse Now (1979) are two notable examples of experimental soundwork by Walter Murch, enabled by the bold directors of American Zoetrope, who banded together to make the kinds of films they wanted.In Making Waves, Murch explains that he was not inspired by the cookie-cutter films that overloaded cinema houses when he was a kid in the 1950s. Instead, he was obsessed with the radio, recording bits and pieces of programs and splicing them together in non-linear collages he discovered later were part of the musique concrète tradition. George Lucas later befriended Murch at the University of Southern California’s film school, and the rest was history. You can hear the audiophile’s deeply psychological sensibilities in The Godfather. Just before Michael murders Sollozzo, the character’s internal impulse enters the sound design: the “firing of his neurons as he makes the decision,” as Murch puts it.This was an early instance of POV-sound — sound design that gives exclusive insight into a character’s experience. The gruesome opening twenty minutes of Saving Private Ryan under Rydstrom is another storied example; The Pianist and Black Swan also feature killer instances of POV-sound ripe for study.Cover image via Making Waves.Looking for more coverage of the 2019 Tribeca Film Festival? Or more on the filmmaking industry? Check out these articles.Director Carine Bijlsma Got Personal With D’Angelo For “Devil’s Pie”These Tribeca Docs Will Renew Your Faith In The Power of The CameraBreakout Director Kat Candler on the Best Festivals for First-Time FilmmakersThe Cameras and Lenses Behind the Marvel Cinematic UniverseIndustry Insights: A Conversation with Actor and Director Melanie Mayron
Two touchdowns to captain Emily Reed has helped QSST beat NSWCHS in the 18’s Girls final at the X-Blades National Youth Championships in Coffs Harbour. Reed scored one touch down in each half to lead her team to a 6-2 win at BCU International Stadium.QSST and NSWCHS were worthy of their places in the final, being seeded 1 and 2 respectively in the tournament. Leading into the game, both teams had set the benchmark in attack and defence, with QSST only letting through 8 touchdowns in the carnival and NSWCHS only letting through 10.NSWCHS started the game off strong, with Melissa Peters scoring in her first set of six.QSST retaliated and were on the scorecard within the next set of six, scoring through Reed.The opening exchanges were intense, with plenty of ground being made by both teams. However, there was a lot of dropped ball early and QSST gave away several penalties, giving NSWCHS a great opportunity.Despite having several sets of six close to their line in the early stages of the game, NSWCHS were unable to capitalise and QSST pounced.QSST’s Alika Bedford put her team in front for the first time in the 13th minute, scoring in the corner to give the Queensland girls a 2-1 lead.Kirsty Quince scored for QSST 3 minutes later, on the back of a penalty from the NSW team. NSWCHS fought back quickly to score through Rachel Beck in the next set of six.Desperate defence from NSWCHS player, Jordan McGregor in the 19 minute, stopped the score from blowing out and QSST went to the halftime break leading 3-2.Reed was in again for QSST in the opening set of the second half, scoring her second touchdown. Betty Mareko scored 3 minutes later, blowing the score out to 5-2.After a Latisha Gary intercept in the 5th minute of the second half, NSWCHS’ Eliza Naseby was sin binned after an attempt to chase her down.Although NSWCHS had many opportunities in the second half, they were unable to convert these opportunities into points, despite back to back sets of six and ample time close to their line.QSST’s Latisha Gary intercepted the ball in the closing minutes of the game, to put the game beyond doubt for the Queensland girls, with QSST winning by 4 touchdowns. Kirsty Quince was named player of the match, and Alicia Quirk was named 18’s Girls player of the championships.
Twitter/@HailStateFBMississippi State football hosted a “ladies clinic” today, where Bulldog fans had a chance to go through drills and get coached up by the staff. Based on the many Instagram and Twitter posts we’ve seen, it looks like everyone had a great time. The day’s big winner, however, has to be Mary, the fan who has won the 60+ year old 40 yard dash seven years in a row. Mary doesn’t just edge out the competition either, she crushes everyone.VIDEO: For the seventh straight year, Mary wins the 60+ age group 40-yard dash at the Ladies Clinic #HailState pic.twitter.com/WioGhGCTNp— MSU Football (@HailStateFB) July 18, 2015We’re seriously impressed. Mary can fly.
APTN National News2500 young people from across Alberta are in Edmonton to bear witness to the final Truth and Reconciliation event. During his opening address, TRC Commissioner Murray Sinclair told the young people assembled that it is their job to continue the work of reconciliation after the commission closes it’s doors a year from now.APTN’s Chris Stewart now with more.